Client:
Vista Shades of Boerne
Project:
“Honoring a Family Legacy” – A whole new future.
Services:
Web-page design, Branding, Digital Footprint, Social Media & More
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
The absurd fear harbored by Mr. Ford that his wife is sleeping with Falstaff is matched only by Falstaff’s absurd fantasy that Mistress Ford and her bestie, Mistress Page, are gaga for him.
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
The absurd fear harbored by Mr. Ford that his wife is sleeping with Falstaff is matched only by Falstaff’s absurd fantasy that Mistress Ford and her bestie, Mistress Page, are gaga for him.
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
The absurd fear harbored by Mr. Ford that his wife is sleeping with Falstaff is matched.
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
The absurd fear harbored by Mr. Ford that his wife is sleeping with Falstaff is matched only by Falstaff’s absurd fantasy that Mistress Ford and her bestie, Mistress Page, are gaga for him.
That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
Though race can’t help but be a theme in “Othello,” it is not the main one here; Iago’s hatred, and Othello’s susceptibility to it, seem to stem less from each man’s response to outsiderness than from their common fear of cuckoldry. (Iago imagines that Othello has slept with his wife, Emilia, here a soldier in Desdemona’s retinue, not just her maid.) In a superb performance, Gordon S. Miller (a ringer for Tony Hale of “Veep”) gives us Iago as a hypercompetent desk jockey who turns, after hours, into a vicious, fake-news-spreading incel. That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.” Lago’s hatred, and Othello’s susceptibility to it, seem to stem less from each man’s response to outsiderness than from their common fear of cuckoldry. (Iago imagines that Othello has slept with his wife, Emilia, here a soldier in Desdemona’s retinue, not just her maid.) In a superb performance, Gordon S. Miller (a ringer for Tony Hale of “Veep”) gives us Iago as a hypercompetent desk jockey who turns, after hours, into a vicious, fake-news-spreading incel. That idea came into relief, in both senses, in “Little Shop” and “Private Lives,” the sour Noël Coward comedy of divorce and infidelity. But it became most obvious when the tragedy of “Othello” flipped into the comedy of “Merry Wives.”
